PRESS RELEASE: The 84th Annual Spring Dance Concert

The Dance Concert is showing Friday, March 8 and Saturday, March 9 at the Bonstelle Theatre.

David Sherban and Shauna Cook.
The Dance Concert is showing Friday, March 8 and Saturday, March 9 at the Bonstelle Theatre.

DETROIT– The Maggie Allesee Department of Theatre and Dance at Wayne State University celebrates its 84th year of providing high-quality professional dance training, education, and performance opportunities. The department is pleased to announce their 2013 Spring Concert entitled Spark. There will be two performances, Friday, March 8 and Saturday, March 9, both at 7:30pm at the Bonstelle Theatre in downtown Detroit. General admission is $12 for advance purchase. Tickets are available online at www.wsushows.com at the Box Office, located in the Hillberry Theatre, 4743 Cass Avenue at Hancock Street. Tickets will be available at the door for $15. The box office is open Tuesday through Saturday, 2:00-6:00pm and opens 30 minutes prior to performances. The Bonstelle Theatre is located at 3424 Woodward Avenue, Detroit, MI 48201.

Spark features a dynamic and diverse program of dance works by nationally renowned guest artists Papa Hanne, Wanjiru Kamuyu, Nycole Ray, and Ron Todorowski, WSU faculty members Jeff Rebudal, Meg Paul and Liz Schmidt, and select WSU student choreographers. Kamuyu, the 2012-13 Maggie Allesee Artist in Residence and dance captain of the Broadway show Fela!, offers when paradise shatters at its seams then what? – a powerful work that showcases dynamic movement and emotional connection. WSU’s To Sangana African Company delights with Hanne’s Senagalese-driven dance, and Dance Company One performs Nycole Ray’s touching and fluid Dreams. Todorowski’s captivating work Different Trains, selected to represent WSU at the American College Dance Festival and set to Steve Reich music, is a captivating layering reminiscent of a fast-paced city life, with dancers combining and diverging in striking solos and groups.

Faculty works include Jeff Rebudal’s Spero Meliora, inspired by Detroit’s culture and evolving landscape, Meg Paul’s high octane contemporary ballet FLUxX, and the driving and impassioned Doublespeak, choreographed by Liz Schmidt, recently chosen to receive the 2013 Wayne State University Arts Achievement Award for Career Achievement in the field of Dance presented by The Maggie Allesee Department of Theatre and Dance. Strong student works complete the program, including, sophomore, Adam McGaw’s Siente and two pieces that highlight the dance program’s Digital Dance Curriculum. Senior, Michelle Brock’s An Inquiry of the Concrete pairs a live dancer with projected video. Brock was also chosen to represent her piece at the American College Dance Festival Association. Senior, William Charboneau’s Ephemeral Man takes a hilarious look at the overpowering influence of dance on the everyday man. Seniors, David Sherban and Ta’Rajee Omar screen Vista Love, an evocative dance for the camera that places dancers in a gritty, urban setting.

Wayne State University, located in the heart of Detroit’s cultural center, is a premier institution of higher education, offering more than 350 academic programs through 11 schools and colleges to more than 33,000 students. The recently merged Maggie Allesee Department of Theatre and Dance is a vital division of Wayne State’s College of Fine, Performing and Communication Arts and carries on a tradition of leadership in dance education.

 

Spotlight On: Jennifer Goff, Director of ‘The Arabian Nights’ by Mary Zimmerman

Photo: Stephen Boatrightstephenboatright.com

Photo: Stephen Boatright
stephenboatright.com

Now that the gorgeously designed, directed and performed The Arabian Nights has come to a close at the Bonstelle Theatre, take a moment to reflect on what audiences witnessed onstage with a behind-the-scenes style interview conducted with its director, PhD. candidate, Jennifer Goff. For more information about Jennifer, check out her website!

Q: What approach did you take when directing The Arabian Nights?

A: My overall approach to the play was to start with the stories themselves. This is a story made up of stories – about the power of stories. We really wanted to look at what it is that stories do, how they function and how these particular stories have been passed down through the centuries. These stories began being passed down orally and weren’t even written down until a couple hundred years after they first started circulating.

We wanted to explore the beauty of taking these stories, which are usually only read, and put them on the stage. The theatre itself is such a three-dimensional, interactive way to tell stories, that it really became a celebration of the power of storytelling. Storytelling is something that is not only entertaining, a lot of fun, emotional and exciting, but it’s something that actually can change a person and affect the world. I think you really see that very clearly through Scheherazade’s story – this is a story about stories and what they do to, and for, people.

Q: What was it like directing your first play at the Bonstelle Theatre?

A: Well, directing at the Bonstelle is a very different experience than I’ve had in a long time. First of all, it’s bigger! Most of the productions I’ve directed, both here and professionally over the last decade or so, have been on smaller stages…where the audience has a very intimate relationship with the performers. The challenge with a huge stage like the Bonstelle is still giving audiences an intimate experience, even though they’re much farther away. Directing has really been a lot about working with the actors on how to communicate, not only with each other, but with the audience. It has been a big adventure but these students are so energetic and marvelous that…they taught me a lot along the way as well.

Q: What role did movement play in this production?

A: Movement was a huge part of this production.  The Arabian Nights and most of Mary Zimmerman’s work are part of what’s called the Chamber Theatre Tradition, which is basically a combination of narrative storytelling and theatre. There is a very interesting combination of “acting out” and becoming the characters, yet also still being you while relating the story.

Most of the actors play multiple roles and although you can see it in their lines, costumes and in the stories themselves, the physicality of each character becomes really important. The audience should be able to see an actor as a new character and know before they even speak that they are someone else. Movement has been a huge part of delineating all these different characters and stories. It’s been really fun.

Q: Was it important to you to convey Zimmerman’s original message of the play?

A: It was very important to me to try to honor what Mary Zimmerman was attempting to do when she adapted this piece. She first adapted The Arabian Nights in 1992, right in the middle of the first Gulf War conflict. She was really responding to the “us versus them” mentality that is a part of “war time”. She was disturbed by this idea that we could somehow separate ourselves from what was “over there” and that they were somehow “not us.” She wanted to look at stories – a very famous set of stories –  and use them to introduce Western audiences to this culture that was so “over there” – far away – letting these Western audiences see that there’s really a whole lot more that we have in common than what we have different.

It’s interesting because the time period these stories come from is known as the Golden Age of Islam. It was at that point when Baghdad was the center of culture, trade and commerce. In the 13th century, Baghdad was sacked by the Mongol army. At the time, Baghdad was home to this amazing library called the House of Wisdom. One of the first things the Mongols did when they sacked the city was destroy the library. They took the documents, which were from all over the world and just threw them in the Tigris River. The saying goes, that on that day, the Tigris River ran black with ink as the streets of Baghdad ran red with blood.

It’s the idea that stories are what make us who we are, so it wasn’t enough for the Mongols to kill the people; they wanted to try to kill the stories. But you can’t – because once the stories are heard they live on. So here Zimmerman was, taking these stories and saying – you can’t separate the people from their stories. You can’t separate us from these stories or from these people. It’s a really beautiful message of unity and inclusion and understanding.

Q: Do you believe the message of The Arabian Nights is still relevant today?

A: I think the message is extremely relevant.  We’ve been in conflict in the Middle East actively for the last ten years. Especially with the way warfare happens now, it’s so easy to disconnect ourselves and forget that there are real people involved in this, on both sides of the conflict. Any steps we can take to remember the people and the little strings that are connected so intricately between us and everyone – I think that will humanize us and reminds us that we all have a lot in common.

REVIEW: Bonstelle’s ‘Arabian Nights’ is fun

Reviewed by Robert Delaney, Detroit New Monitor
Thursday, February 14, 2013

The Arabian Nights at the Bonstelle

Dunyazade (Sydney Macheskey) Shahryar (Luke Rose), and Sheherezade (Yesmeen Mikhail)
Photo: Patrick Pozezinski

A young woman saves her neck by telling fascinating stories to the prince she has been forced to marry in “The Arabian Nights,” the current production at Wayne State’s Bonstelle Theatre in midtown Detroit.

Tony Award-winner Mary Zimmerman has adapted the famous collection of Persian, Indian and Arabic tales, “The Book of the Thousand Nights and One Night,” for the stage. Under Jennifer Goff’s direction a youthful and energetic undergraduate cast has great fun performing it — and that fun is shared by the audience.

It would, of course, be impossible to include all of the tales in one play, and Zimmerman has chosen to leave out some of the more familiar ones — such as those of Sinbad, Aladdin and Ali Baba (which were not actually in the original collection) — in favor of some less well known stories.

Yesmeen Mikhail is the storytelling enchantress, Scheherazade, and Luke Rose is her homicidal husband, Shahryar. They both also portray other characters, as do all of the cast members.

Also very impressive are Laith Salim as Harun al-Rashid, Lisa Youngs as Sympathy, and Nicholas Yocum as the Madman. Scenic designer Leazah Behrens has given us a fanciful set, and the costumes designed by Donna Buckley are (who would have thought I’d ever be able to say this) “right out of the ‘Arabian Nights.’”

“The Arabian Nights” continues this weekend, through February 17, with performances at 8 p.m., Friday and Saturday; and at 2 p.m., Sunday afternoon, at the Bonstelle Theatre, 3424 Woodward Avenue, a block south of Mack and just a few blocks south of Orchestra Hall. For ticket information, call the WSU Theatre box office at (313) 577-2960 or go to www.wsushows.com.

REVIEW: ‘The Arabian Nights’ by Mary Zimmerman proves the power of a story well told

Reviewed by Patty Nolan, The Examiner

Click HERE to read the review on the Examiner’s website.

Yesmeen Mikhail as Scheherezade and Luke Rose as Shahryar  in "The Arabian Nights" at The Bonstelle Theatre.Photo credit:  Patrick Pozezinski

Yesmeen Mikhail as Scheherezade and Luke Rose as Shahryar in “The Arabian Nights” at The Bonstelle Theatre.
Photo credit: Patrick Pozezinski

If you’re like most Americans, any mention of the “1001 Arabian Nights” conjures Technicolor images inspired by Disney. But Sinbad, Ali Baba, Aladdin and the Genie are nowhere to be seen in the Bonstelle Theatre’s new production of “The Arabian Nights.” And for good reason.

When Tony Award-winning director Mary Zimmerman adapted the collection of ancient Persian, Indian and Arabic tales into a resonating stage play, she deliberately left out the stories we know best. Instead of focusing on the fantastic, her funny, anachronistic retelling reveals and revels in the humanistic. Produced during the Gulf War, Zimmerman used the beloved, centuries-old stories to show audiences that, politics aside, we are all very much the same.

View slideshow: ‘The Arabian Nights’

It works. Because we can’t help but understand that we are laughing, or cheering, or feeling sad for the characters in the same way that those ancient people must have.

In this Bonstelle production, directed by WSU PhD candidate Jennifer Goff, we are treated to a colorful, over-the-top show. The scenic design by Leazah Behrens is a lush swirl of carpets, silken drapes, tasseled pillows and all the trappings of an exotic Persian palace. The costumes by Donna Buckley are lavish and clever – designed to help the large cast play multiple roles.

This is still essentially the tale of Scheherazade, the young woman who must weave a new story every night in order to postpone the death sentence imposed by her misogynistic husband, the King Shahryar. But if you’re thinking about bringing the little kiddies, hold off. This version of “The Arabian Nights” is geared more toward the tastes of mature audiences.

The play opens with the king choking his first, unfaithful wife to death. Not so funny. Not so G-rated. These stories include violence, infidelity and even epic flatulence. Apparently, the comedic appeal of a good fart is universal. This show is funny. Surprisingly so. And the huge Bonstelle cast is just wonderful. With each new story that Scheherazade tells, the ensemble brings it to life. Every actor plays multiple roles – some serious, sad and romantic – but many of them are worthy of your favorite bit of slapstick. And we like these characters. We want them to survive, find their true loves and make lots of babies.

And that’s what Zimmerman is trying to tell us. As human beings, our stories are essentially the same. We weep when our hearts are broken. We laugh when someone breaks wind. We yield too often to temptation. But sometimes we do the right thing. And that makes life worth celebrating and sharing. Just like this charming Bonstelle production.

The spectacular Bonstelle company includes: Zyle Christian-Cook (Marcellus, MI) as Butcher and Others, Robert J. Hammond (Troy, MI) as Jester and Others, Ivy Haralson (Belleville, MI) as Perfect Love and Others, Garett Harris (Royal Oak, MI) as Boy and Others, Sharayah Johnson (Birch Run, MI) as Greengrocer and Others, Derell Jones (Detroit, MI) as Pastrycook and Others, Alyssa Lucas (Garden City, MI) as Abu al-Hasan and Others, Sydney Machesky (Allen Park, MI) as Dunyazade and Others, Taylor Morrow (Warren, MI) as Girl and Others, Jackson McLaskey (Mt. Clemens, MI) as Clarinetist and Others, Michael Meike (Clinton TWP) as Wazir and Others, Yesmeen Mikhail (Wyandotte, MI) as Scheherezade and Others, Luke Rose (Harrison TWP, MI) as Shahryar and Others, Laith Salim (Dearborn, MI) as Harun al-Rashid and Others, Nicholas Yocum (Royal Oak, MI) as Madman and Others and Lisa Youngs (Wyandotte, MI) as Sympathy the Learned and Others.

“The Arabian Nights” runs at The Bonstelle Theatre in Detroit through February 17. Shows are Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. Tickets are $12-$15 and are availableonline, by phone (313) 577-2960, or by visiting the Wayne State University Theatres’ Box Office located at 4743 Cass Avenue on the corner of Hancock.

REVIEW: Discover the wintry magic of ‘The Snow Queen’ at Bonstelle Theatre

Reviewed by Patty Nolan

Click HERE to read the review on The Examiner’s Website

If you can remember clapping your hands to save Tinker Bell’s life… if you ever wanted to visit Narnia… or looked for faeries in your grandmother’s garden… then you should get to the Bonstelle Theatre for this magical production of “The Snow Queen.” And if you can grab some kids to make it all look like a magnanimous effort on your part, so much the better.

This artistic, enthusiastic and interactive Bonstelle production is an adaptation by Tyler J. Monroe of one of Hans Christian Andersen’s most popular children’sfairytales. Timed to help families get into the holiday mood, “The Snow Queen” isn’t a Christmas story, per se, and is suitable for people of all faith backgrounds.

It’s the story of a little girl named Gerda (the amazing Kristin Dawn-Dumas) who is determined to rescue her friend, a young boy named Kai (the wonderful Nicholas Yocum), from the clutches of the evil Snow Queen. Basic values of loyalty, friendship, selflessness and courage are conveyed in a story that is filled with adventure, drama and enough brilliant stage spectacle to satisfy the wiggliest children. Although the story is essentially sweet, it is never saccharine, and is rich with eccentric and even dangerous characters who help or hinder Gerda on her journey.

The Bonstelle Theatre presents Hans Christian Andersen's winter holiday fairy tale 'The Snow Queen.' This breathtaking production is directed by Allegra Libonati. She directed the play’s premier a year ago at the American Repertory Theater and worked with a gifted design team in Detroit to bring it to life on the Bonstelle stage. The use of oversized puppets (Anthony Karpinski), a set design created by sweeping, swirling fabric and ingenious props (Fred Florkowski), inventive lighting (Samuel G. Byers), imaginative costumes (Mary Copenhagen) and engaging sound design (Ryan Koprince) all combine to pull the audience (young and old) into the enchanted world of the Snow Queen.

The delightful and talented cast of Bonstelle “children” swarm the theater before the show opens, inviting audience members to swordfight, toss balloons, admire their noise-making prowess, and answer personal questions. Once the show begins, Grandpa (Michael Meike) and Grandma (Jacqueline Fenton) summon their grandchildren for story time. As the story unfolds, the grandchildren take on multiple roles, engaging with Gerda as she moves from one adventure to the next.

The show includes several audience participation moments. In fact, children are invited to arrive 45 minutes before curtain time to participate in a preshow craft activity with cast members. Paper roses and snowflakes will be made in the upstairs lobby and used by children in the audience to interact with the show.

“The Snow Queen is a show where you can bring family members of all ages and everyone can take away a part of the story,” says Libonati. “If families can be swept away in this fairytale, go on a journey together, and be inspired by the strength of a little girl alone in the North Pole, that would be a wonderful thing.”

“The Snow Queen” runs from November 30 to December 9, 2012. Shows are on Fridays and Saturdays with an 8 p.m. curtain and Sunday with a 2 p.m. curtain. Children get a special ticket price of only $6; adult tickets are $12 – $15 and are available by calling the Bonstelle Theatre Box Office at (313) 577-2960, purchasing them online, or by visiting the box office in the Hilberry Theatre located at 4743 Cass Avenue on the corner of Hancock.

And as one of the happy coincidences that sometimes pop up in the Detroit theater scene, an original version of “The Snow Queen” – in purely puppet form – is also opening this weekend atPuppetART. We’ll be reporting back on that show yet this weekend.

So fall in love with the magic of “The Snow Queen” – and see it twice for the first time – at the Bonstelle Theatre and the PuppetART Theatre in downtown Detroit.

Congratulations to the cast of The Snow Queen”: Zee Bricker (Detroit, MI) as Robber Queen, Mackenzie Conn (Walled Lake, MI) as Snow Queen, Zyle Christian-Cook (Marcellus, MI) as Goblin, Kristin Dawn-Dumas (Detroit, MI) as Gerda, Jacqueline Fenton (Allen Park, MI) as Grandma, Katelyn Foster (Harrison Township, MI) as Rose 1, Garett Harris (Royal Oak, MI) as Prince, Sharayah Johnson (Birch Run, MI) as Flower Witch, Gaia Klotz (Midland, MI) as Swallow 1, Alexis Mabry (Grosse Pointe, MI) as Princess, Sydney Macheskey (Shelby Township, MI) as Sun, Jackson McLaskey (Mt. Clemens, MI) as Raven, Michael Meike (Clinton Township, MI) as Grandpa, Matt Miazgowicz (Dearborn, MI) as Rose 3, Brittany Michael (St. Clair Shores, MI) as Robber Girl, Jonathon Pigott (Wyandotte, MI) as Swallow 2, Aeisha Reese (Flint, MI) as Rose 2, Luke Rose (Harrison Township) as Reindeer, and Nicholas Yocum (Royal Oak, MI) as Kai.

A Moment with: Allegra Libonati, Guest Director of ‘The Snow Queen’

Allegra Libonati Guest Directs ‘The Snow Queen’ at the Bonstelle Theatre, opening Friday, November 30.

The 62nd Bonstelle Theatre season continues this December with an imaginative retelling of the classic fairy tale The Snow Queen, by Hans C. Andersen,adapted by Tyler Monroe. The WSU production will be directed by guest artist Allegra Libonati of the American Repertory Theatre in Cambridge, MA. We took a moment to get a closer look at this upcoming show with Allegra. Here’s what she had to say:

Q:Have you directed The Snow Queen before? If so, what has drawn you to direct it again? 
A: I directed The Snow Queen at the American Repertory Theater last winter. I adapted the show from the fairy tale with the playwright, Tyler Monroe. There are many elements of The Snow Queen that I found deeply compelling. I was drawn to the incredible landscapes where the story takes place. We travel from a tiny rose garden, all the way to the snow queen palace at the North Pole, surrounded by the Northern Lights. This captured my imagination. I was also really moved by Hans Christian Andersen’s life story. He was told by his mother, after his father died, that the Snow Queen had taken his father away. Later in his life, he created a story of two best friends who are separated by The Snow Queen. We watch as little Gerda, through her blind faith and deep devotion, is able to find Kai at the end of the earth, and save his life. I think there is a deep message in this show, embedded in a fantastical and spectacular world.

The show also provided excellent opportunities for creative production and physical theater.  Animals, natural elements, and forces of nature all need to be brought to life on stage. I found all this very exciting.

Q:What is your vision for this particular production?
A: My vision for this production was inspired by the experience of listening to a story, and allowing it to transform the world around you. The show begins in a magical attic where a group of children have gathered to hear a story. As the story unfolds, beds become snow drifts, sheets become blizzards, a wagon becomes the boat. The world around you transforms into the locations and characters of the story. The audience is integral to the show.  When you arrive, you create a paper rose and a snow flake, and are asked to help Gerda along the way using these elements.

Q:What were some of the challenges in directing this play?
A: This is an ensemble-based show, which is always both rewarding and challenging. We have an enormous Snow Queen puppet that takes multiple performers to bring to life. We are extending the Snow Queen for this production to include six further performers, creating the swirling snow around her with poles and fabric. This playful and theatrical style of storytelling makes for incredibly sensitive work. Every actor has to be entirely aware of each other, generous, engaged, and focused on the same goal. It takes tremendous energy, but also creates the shifting and transforming world of the show and the power of the characters. By the time you see the show, you won’t see any of the effort, but just be able to get caught up in the illusion and magic an ensemble of actors can create.

Q:What would you like children and families to take away from this production?
A: I would love children and families to have a wonderful theatrical experience together. It is an adventure story where you watch Gerda take on the Snow Queen, to save her loved friend. It is a show where you can bring family members of all ages and everyone can take away a part of the story. If they can all be swept away in this fairytale, go on a journey together, and be inspired by the strength of a little girl alone in the North Pole, that would be a wonderful thing.

The Bonstelle Theatre will open The Snow Queen, just in time for the holiday season. It runs from November 30 to December 9, 2012, and children get a special ticket price of only $6. This classic children’s fairytale is a holiday treat, and the Bonstelle Theatre’s production will include a preshow craft activity with cast members for children starting 45 minutes prior to curtain time. Paper roses and snowflakes will be made in the upstairs lobby and used by children in the audience to interact with the show.

Click HERE to check out the Facebook event.

PRESS RELEASE: ‘The Snow Queen’

The Snow Queen brings adventure, magic, and interactive fun to the holiday season at the Bonstelle Theatre

 The Snow Queen - The Bonstelle Theatre. Detrit

DETROIT –The Bonstelle Theatre opens an adaptation by Tyler J. Monroe of one of Hans Christian Andersen’s most popular fairy tales, The Snow Queen, just in time for the holiday season, running from November 30 to December 9, 2012. This classic children’s fairytale is a holiday treat, and the Bonstelle Theatre’s production will include a pre-show craft activity for children starting 45 minutes prior to curtain time. Roses and snowflakes will be made in the upstairs lobby and used by children to interact with the show. Tickets are $12 – $15 and are available by calling the Bonstelle Theatre Box Office at (313) 577-2960, online at www.bonstelle.com, or by visiting the box office in the Hilberry Theatre located at 4743 Cass Avenue on the corner of Hancock.

The Snow Queen is a tale about the capture of a young boy, Kai, by the evil Snow Queen and a young heroine’s journey to rescue him. The heroine of the story, a girl named Gerda, who is Kai’s best friend, must traverse through a world filled with a number of eccentric and dangerous characters to find and free Kai from the Snow Queen’s spell. Using puppets, music and supernatural magic, The Snow Queen is a show that celebrates childhood and its ideals, while  important messages like devotion, bravery, and the triumph of love are explored throughout the story.

Hans Christian Andersen’s The Snow Queen was adapted by Tyler J. Monroe  in 2011, during his second year in the Dramaturgy MFA program through Harvard University. The play premiered at the American Repertory Theatre in December 2011, and was directed by Allegra Libonati, who is also the guest director of the Bonstelle Theatre’s production of The Snow Queen. “The Snow Queen is a show where you can bring family members of all ages and everyone can take away a part of the story,” said Libonati.  “If families can be swept away in this fairytale, go on a journey together, and be inspired by the strength of a little girl alone in the North Pole, that would be a wonderful thing.”

Hans Christian Andersen was a Danish author who became internationally known for his fairy tales, some of which have become adapted into or inspired notable Disney films, such as The Little Mermaid, The Ugly Duckling, and The Emperor’s New Groove. “I was also really moved by Hans Christian Andersen’s life story,” said Libonati. “He was told by his mother, after his father died, that the Snow Queen had taken

his father away.  Later in his life, he created a story of two best friends who are separated by the Snow Queen.  We watch as little Gerda, through her blind faith and deep devotion is able to find Kai at the end of the earth, and save his life.   I think there is a deep message in this show, embedded in a fantastical and spectacular world.”

The cast for The Snow Queen includes (in alphabetical order):

Zee Bricker as Robber Queen, Mackenzie Conn (Walled Lake, MI) as Snow Queen, Zyle Christian-Cook as Goblin, Kristin Dawn-Dumas (Detroit, MI) as Gerda, Jacqueline Fenton (Allen Park, MI) as Grandma, Katie Foster as Rose 1, Garett Harris (Royal Oak, MI) as Prince, Sharayah Johnson (Birch Run, MI) as Flower Witch, Gaia Klotz (Midland, MI) as Swallow 1, Alexis Mabry as Princess, Syndey Macheskey (Shelby Township, MI) as Sun, Jackson McLaskey (Mt. Clemens, MI) as Raven, Michael Meike (Clinton Township, MI) as Grandpa, Brittany Michael as Robber Girl, Jon Pigott (Wyandotte, MI) as Swallow 2, Aeisha Reese (Flint, MI) as Rose 2, Luke Rose (Harrison Township) as Reindeer, and Nicholas Yocum (Royal Oak, MI) as Kai.

The production team includes:

Allegra Libonati (Director), Cheryl Turski (Assistant Director), Michael Waldrup (Stage Manager), Meghan Lynch (Assistant Stage Manager), Fred Florkowski (Scenic Designer), Lisa Berg (Assistant Scenic Designer), Anthony Karpinski (Properties Master), Mary Copenhagen (Costume Designer), Samuel G. Byers  (Lighting Designer), Gabriel Rice (Sound Designer), and Alexandra Stewart (Publicity Manager).

About the Bonstelle Theatre

The Bonstelle Theatre is a Broadway-style House with a 1,143-seat auditorium featuring a balcony. Here, future stars of theatre, film, and television follow in the footsteps of such successful alumni as Emmy and Golden Globe Award-winning S. Epatha Merkerson (NBC’s Law and Order, Lackawanna Blues), Lily Tomlin (9 to 5, ABC’s Desperate Housewives) and Ernie Hudson (Ghostbusters, NBC’s Heroes).  For box office hours and information on performances, tickets, group discounts and corporate packages, please call the box office at (313) 577-2960 or visit the theatre’s website at www.bonstelle.com.

Season sponsored by CBS Outdoor, Between the Lines and Encore Michigan.

Calendar Information:

Thursday 10 a.m.         Dec. 6

Friday 8 p.m.                Nov. 30, Dec. 7
Saturday 8 p.m.            Dec. 1, Dec. 8
Sunday  2 p.m.             Dec. 2, Dec. 9